The Queen of England has moved from the West End to Broadway in Peter Morgan's play The Audience. Morgan who penned the film The Queen (which also starred Helen Mirren) gives us snapshots into weekly private meetings with Queen Elizabeth II and the Prime Ministers. During her 60 year reign, there have been 12 Prime Ministers and we become privy to conversations that show a side to the Queen we may not know and how her relationships were different with each new leader. Of course, no one knows what these conversations actually were except those people in the room, but it makes for a very entertaining night of theater.
Everyone in this show is wonderfully cast. From each actor playing Churchill, Thatcher and Blair (to name a few) to the young girl playing a younger version of the Queen that often talks to the older version of herself.
But it is the Queen, Helen Mirren, that makes this theatrical experience something not to miss. She is utterly amazing as she ages right in front of our eyes in a non-linear fashion. Often doing complete costume/wig changes in 5 seconds right on stage. Her entire persona changes from the early days of her coronation of an unsure young woman to the rigid royalty that we see on television now.
Yet Mirren gives this queen heart, humor and humanity…and you can't help but fall for her. Of course she is no stranger to the role and won an Academy Award for the film, but that just means she wears this role like a well tailored dress.
Speaking of…the costumes & design by Bob Crowley are stunning. As are the other elements from hair & makeup to the music composed for the play. Director Stephen Daldry has taken all of these elements and created an evening fit for…a queen - that gives the audience a bit of a history lesson along the way.
The Audience runs at the Gerald Schoenfeld Theater through June 28th. theaudiencebroadway.com
Tuesday, March 31, 2015
Monday, March 30, 2015
I recently finished reading Independent Ed by Edward Burns. I have always loved how it appeared to us mere mortals that he could slip back and forth between indie and blockbuster films so seamlessly. Now he has shared a book which reads much more like a memoir rather than a "follow my plan and you TOO can be an indie success"!
I much prefer his approach.
He lets us into his world by saying "hey, this is what worked for me..." That voice of that laid-back guy we see on screen or in interviews comes through loud and clear in this book. I loved it. I felt like I was sitting having a beer with him as he shared his story with us. The man has made so many indie films and many of those have been with very little budget. And somehow, he was able to make it happen. While reading it on my kindle, there was a passage that jumped off my screen and I actually highlighted it. Something his dad said to him which really grabbed me. (Obviously I hadn't read the subtitle on the cover nor did I realize he would return to that over and over so it was meant to grab us.)
He would often reference the young filmmaker that he knew was reading the book which missed that gene that says only young people can dream. So many believe once you hit 30, you stop. You switch gears and you give up on whatever that early dream was. I'm 45 and continue to reinvent myself again and again. I'm not afraid to dream. Well let me rephrase that - the fear may be there...but I push through it and just try.
It was only this past year that I directed my first film and I sure hope it's not my last. I'm excited that it's already been accepted to a few film festivals and that people are responding
Thanks for sharing with all of us that feel indie is the way to go. Truly an inspiration, Mr. Burns.
Thursday, March 5, 2015
As my mother has always told me, I'm not happy unless I'm being creative. That creativity doesn't always need to come from my own projects - sometimes it's assisting others in any ways that I can. Call it paying-it-forward, call it trying to be helpful (or call it insane for involving oneself in so many things), but I look back at other's accomplishments and I'm excited for being a small part of it.
|Visting Stephen in Key West|
I've helped several authors over the years get their books published as I wanted them to experience what I have as a published author. Recently I was talking to another author and he described it perfectly - it's a lonely profession! So having someone else to talk to, bounce ideas, and navigate the terrain is a welcomed connection to break the loneliness. Excited for my friend, Stephen, this week as he experienced that and so glad that I could be involved in any way possible.
|Tech Rehearsal NEXT FALL|
|One of Many Dinners with Arthur|
These are but a few projects on my list now and as each of those get the imaginary line drawn through them on my mental 'to do' list, I may sigh a sense of relief - but there is also a true sense of joy for all of those involved. Creative people make me smile. Seeing people succeed in that creativity - that's heaven.
Tuesday, March 3, 2015
I can still recall the release of my first novel like it was yesterday. The anticipation and excitement of it all. Now, a very good friend of mine, Stephen Kitsakos, (who has also been a writing partner on musicals in the past) gets to experience that same thing with the release of his book The Accidental Pilgrim. The book is a fascinating read that crosses multiple genres and several decades. It explores the intersection of science, religion, and the unexplainable. Summer of 1974, Dr. Rose Strongin disappears for three hours at an archaeological dig on the Western shore of the Sea of Galilee. Twelve years later, she begins to put the missing pieces together, but it is not until the family gathers to say goodbye to this strong matriarch in 2014 that the family secrets start to make themselves known.
I'm thrilled for Stephen experiencing this moment in his life! Check out our interview below, take a look at his website and if it's a book that interests you, help him climb the Amazon charts!
Greg: Happy Official Book Launch Day, Stephen! You know that I love when people reinvent themselves and try something new. What made you decide to write a novel at this point in your life?
Stephen: Thank you! Up until now almost all of my writing has referenced the dramatic arts: in music theatre as a lyricist and composer, or in opera as a librettist. My work in academia as a theatre professor also led me into theatre journalism and scholarly writing which included authoring textbook chapters or contributing to articles on theatre pedagogy. So I didn’t actually sit down to write a piece of fiction. In fact I had always been (and am still) uncomfortable with the solitude of the novelist compared to the collaborative nature of writing for the performing arts.
I had worked an idea for a dramatic piece - unsure of whether it was the outline for another opera libretto, a music theatre piece or, perhaps, a liturgical cantata. But as I began to develop it, I realized that I wanted to tell a narrative story for a reader, one that did not need to be performed. That's when the novel itself began to take shape.
Greg: All of that blows my mind, but I've always counted you as one of my smartest friends. :) Let's share a little of your varied background from Corporate America to Professor. Share some of that journey.
Stephen: Well now that I am firmly in my middle age I can look back and see that every
experience I have had, both vocationally and inspirationally, has brought me where I am now. Since I was a youth, I had always discerned a vocation in the arts, but was unsure where the calling would actually be. Turns out it's called from a lot of places. Because I have been a writer in one form or another for as long as I can remember it seemed easy for me to look to the business world, early on in my work life, and write corporate materials, manuals, training guides, etc. in order to be able to support myself.
But concurrently I fed my artistic self by writing for the theatre and working in the theatre as a director, music director, and conductor. At the same time, in New York City, I also made some strong connections within the Episcopal Diocese of New York which led me into a ministry in the Hudson Valley of New York that enveloped both the performing and liturgical arts. Eventually I combined my experience over many years as a theatre writer, generalist and administrator and accepted a position on the Theatre Arts Faculty of the School of Fine & Performing Arts at SUNY New Paltz. I spent fourteen years there as "Prof. Kitsakos" - teaching, mentoring, creating and, in my final two years there, serving as Assistant Chair of the Department. My time in academia nurtured my writing and, I believe, my writing informed my vocation as a teacher.
Greg: I can't believe that was 14 years at SUNY - but I've known you for over 20, so it makes sense. So what type of reader do you think would be drawn to your book?
Stephen: The book is definitely popular fiction. I make no bones about it. It's a story about a family who had come together to say goodbye to their mother - an enigmatic woman, a scientist steeped in contemporary rationality who undergoes an irrational experience. I've meant the book to be multi-generational literary fiction or at least women's fiction. But since it deals with archaeology, specifically biblical archaeology, I believe it would also appeal to readers who like a good mystery. Though my story is fictional, some of the events, including the discovery of the so-called "Jesus Boat" in Israel in 1986, and the midair collision of two airplanes over New York City in the early 1960s are real events. I've always appreciated writers like Ruth Rendell who can draw you into a comfortable place and then turn you upside down in the last thirty pages.
Greg: I've said before how smart you are which you definitely display in this book - yet you never made me feel stupid as a reader. :) What is it about those subject that pulled you in?
Stephen: The book is heavily researched. Trust me, I'm not all that smart. The accessibility of the internet has made that logistically so much more convenient. I did also use library sources, looking at photographs and illustrations, and I had profitable conversations with a few scientists and clergy.
I set the book in two locations I have never traveled to: the Galilee in Israel and the Atlantic Maritimes of Canada. Because the landscape of these places is integral to the plot, I wanted to write with a sense of authenticity. Perhaps because I was absorbing as I was learning I approached the writing by not taking for granted that readers would comprehend certain scientific terminology, semantics or ideas.
Greg: I'm very jealous that you can spend your summers in New York and your winters in Florida (yes, I'm spilling the beans on this blog) - so share a little more about yourself outside of escaping to warm weather.
Stephen: I feel both privileged and grateful to be able to split my time in two locations - especially avoiding the northeast in the deep winter. But this is only a recent transition and based on years of hard work and juggling. Key West is a tropical paradise in many ways and definitely attracts a larger than average population of people in the fine, performing and literary arts. I really enjoy the ability to leave home and travel mot places on a bicycle to parks, beaches, restaurants, and events. Thankfully the island is mostly flat! It's easy to be busy here, but it is also equally easy to be alone. However, when I return to New York City it's a bit like drinking a tall, cold glass of water after a long, hard thirst.
Greg: What's a guilty pleasure that you have?
Stephen: Binge-watching TV shows that are streaming over a multitude of platforms. I recently did that with the show Transparent. I was hooked in an instant.
Greg: If you could sit with any author (living or dead) and talk about writing - who would that be?
Stephen: Probably Graham Greene. His novel, The End of the Affair, was groundbreaking for me. It is said that he saw human existence not as 'black and white" but as "black and grey." Though his reputation is as a suspense writer, especially political suspense, his books are imbued with a sensibility that has always appealed to me.
Greg: What emotion or feeling do you hope readers have when they read your book?
Stephen: I'd be happy if after they finished reading the book they continued to think about it!
Greg: Thanks for joining my blog. AND - he just recently joined social media, so show him some love and follow him on twitter. He's still learning!